03-06-2022, 06:08 PM | #1 |
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Any Minidisc Enthusiasts Here?
Call me a late bloomer but I've just come to appreciate the format just this year. Picked up some pre-recorded Discs (Oasis, Bjork, some synthwave album released in 2020), some blanks, and a Sony MZ-NE410 which doesn't record. Apparently there is a design flaw in the MZ-N* units to which the ribbon cable for the "top laser", not sure of the technical term, breaks and can no longer record. Anyone still using this format? I have the AUX port in my center console so I figure I can keep the player there. Also have and AUX port in the truck, but my head unit in there also has a USB port and usually have a flash drive in there.
Last edited by PJLux; 03-06-2022 at 06:12 PM.. Reason: Added image. |
03-06-2022, 07:08 PM | #2 |
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I had the very first Sony portable mini disc player/recorder. I ended up returning it when it seemed the service life of the format would be in question. I'm glad I did. Ended up going the DAT route. It's unfortunate that Sony and Philips couldn't collaborate on this next generation media format with Philips going the DCC (digital compact cassette) route. From what I've read, Sony had the superior media format but Philips had the better compression algorithm used in DCC. Would have been pretty awesome to have the best of both together.
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03-06-2022, 08:48 PM | #3 |
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When I lived in Japan during the 90s I was all about the MD. I loved it because it was so compact and sounded good at the time. I had portable players as well as home audio systems with MD decks. Hell, I remember even seeing a BMW at a showroom in Tokyo that had an MD player rather than CD. Pretty sure that never happened here in the US.
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03-06-2022, 08:49 PM | #4 | |
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03-06-2022, 09:01 PM | #5 | |
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I feel that if Sony and Philips cooperated as they did with S/PDIF and the compact disc, things would have been very different with the combined media being a mini disc using Philip's encoding/compression algorithm. |
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03-06-2022, 09:11 PM | #6 | |
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03-07-2022, 01:30 AM | #7 |
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I was back in the day. I actually had a Kenwood 6-disk MD changer in the trunk of my '93 Sentra SE-R. Dubbed my own discs from vinyl at home. Great format compared to monkeying around with cassettes. But came along a bit late and just never got much traction other than in Japan. Virtually none in the states.
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03-07-2022, 11:57 AM | #9 |
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It for sure never took off here. I watched a YT documentary regarding it and due to our low cost for CDs, relative to other parts of the world, we just stuck with that media until it all went digital. The eBay listings reflect this. 4 of the 5 pre recorded MDs I purchased came from the UK, and 1 (of 2) of the players I ordered from HK. All the other players/recorders/decks I've been considering were items sold out of Japan. I'd like to get a compact deck with NetMD capabilities to have in the office hooked up to one of the computers, like the Sony MDS-NT1.
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03-07-2022, 01:03 PM | #10 |
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Didn't this also get snarled up in the early coyright wars around digital media? IIRC most of the DAT players had some funky copyright code you had to work around. I went from Chrome tapes to CDR's myself.
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03-07-2022, 01:20 PM | #11 |
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Yes. DAT was the start of it. The copy protection scheme was called SCMS (serial copy management system). The way the system worked is if you create a first gen copy of anything, the system would allow it. But if you make a copy of the digital copy after being processed through SCMS, then the system would prevent that copy from happening. The issue is that many musicians/artists/recording engineers used DAT to have a very good copy of their work. So they had no control over the material THEY produced after the first gen copy. You can thank the RIAA for this stupidity. On top of that, the RIAA managed to get a royalty built in to every blank DAT tape sold with the premise that the blank DAT tape could be used for piracy.
SCMS did trickle down to MD and DCC. I don't know the legalities, but I was able to purchase a Sony portable DAT recorder where SCMS was user defeatable. I don't know if the unit I bought was a Japanese only market product imported in to the US or if it was natively sold here. I bought the deck from a pro audio retailer. |
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03-07-2022, 01:42 PM | #12 |
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For me it wasn't about buying pre-recorded MDs, but making my greatest hits sort of compilations burned from CDs. The MD portable players were tiny in comparison to the old CD players.
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03-07-2022, 04:13 PM | #14 |
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I would have liked those MD's to have taken over from CD's in pre recorded form though from my perspective as has been said for one reason or another the big players like Sony and JVC etc became aggressive towards each other and it flopped.
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03-07-2022, 06:14 PM | #16 |
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I was living in Japan from late 92 to late 95 and they were everywhere then, I was already a CD format person so I did not convert over.
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03-07-2022, 06:21 PM | #17 |
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03-07-2022, 06:58 PM | #18 |
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03-07-2022, 07:01 PM | #19 |
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Ahh I see. Well like I stated earlier, I liked recording from CDs to MDs simply because they had a small footprint and much more convenient to carry on the go with portable players. You know, the "mixed tape" sort of thing.
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03-07-2022, 07:45 PM | #20 | |
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The worst part about it all was Sony's clunky SW to convert from mp3.
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03-07-2022, 07:56 PM | #21 |
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As a purist with audio, MD isn't ideal. I've mentioned this a number of times in this thread. Both MD and DCC use psychoacoustic compression of the source material to reduce the amount of data stored on both formats. Both MD and DCC are lossy formats and are the predecessors to MP3s.
I only considered MD as an on the go system. |
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03-07-2022, 08:02 PM | #22 | |
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I only listen to FLAC files (24-bit if I can get it) nowadays as I enjoy listening to lossless audio, especially in my car and while traveling. Nice to have on long flights, especially my upcoming one that will be 14 hours (Tokyo). |
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